I’m a big fan of agrarian Marxism. Not for any ideological reasons (though I have nothing against the workers’ collective). I’m also a huge fan of colonialism. I have to be. My admiration is, at root, selfishness defined. Without the contradiction and hostility between those two movements of history, I would not exist. No. Really.
As anybody who is a Facebook friend of ours will know Wendy and I spend an unnatural amount of time at a Capitol Hill café called the Joe Bar. It’s around the corner from our house. While staggering distance to home is always important for a good hangout, that’s not why we go there — two, three times a day. (Foursquare still reports that neither Wendy or I are Mayor of Joe Bar. Which is statistically impossible. Except the Joe Bar inspires loyalty like no other café in town.) Across the street from the Harvard Exit movie theater in the landmark Loveless building, the Joe Bar has evolved into a crucial neighborhood nexus.
Seattle’s Inaugural Design Festival took place September 16-25. It was an amazing undertaking that included lectures, tours, exhibits, films and street installations.
I was part of the AIGA Design Festival committee that concepted the idea of Design Marks—a trail of 8-foot tall location markers where viewers experienced how the design of Seattle’s urban landmarks has influenced the city’s culture, and how that culture has, in turn, influenced design. Twenty-five of the city’s leading design firms were invited to design an individual marker as well as a 30-90 second companion video.